“Nurtured on west coast funk legacies and specifically the influences of his teacher, the confrontational artist, Robert Arneson, González learned early on that no subject was taboo…”
—Judith S. Schwartz, Ph.D.
Professor Emeritus in the Department of Art and Art Professions at New York University
Critic, curator and author of national and international articles on contemporary craft issues
"Arthur González", Preface. The Art of Rejection, 2021
ARTHUR GONZÁLEZ
Arthur González is an internationally exhibiting artist with over fifty one-person shows in the last forty years, including eight in Manhattan, New York.
Life
Three distinct phases have influenced the direction of González’s artistic career and expression. First, as a graduate student, at the University of California at Davis, under Robert Arneson and Manuel Neri, he entered the Master of Fine Arts program as a figurative sculptor during the late 1970’s after completing an Master of Arts in painting at the California State University of Sacramento. His second phase was as an artist in residence at the University of Georgia, Athens from 1981 to 1982. González’s attitudes towards art changed through his exposure to a creative life-style that blended music and visual art. The third phase of González’s career was through his involvement in the early 1980’s East Village Art Scene, in New York City, which fast-forwarded public recognition of his work.
González has received numerous awards, fellowships, grants and residences throughout his lifetime, a few notable ones being the the National Endowment of the Arts Individual Artist fellowship in 1982 and 1984, the Art of California Magazine Discovery award in 1991, the California Arts Council fellowship in 1994 and the Virginia Groot Foundation award in 1997. A selection of his exhibits include: The Susan Cummins Gallery, Mill Valley, California; John Elder Gallery, New York, New York; Phyllis Kind Gallery, New York, New York; Robert Kidd Gallery, Birmingham, Michigan and the Sharpe Gallery, New York, New York.
Work
Dark, somber and foreboding, Arthur González’s works encourage serious deliberation and reflection on the relationship between personal concerns and world issues. Raw in form, lacking in smoothness and rough in finish, the ceramic sculptures give glimpses of a conversation or a contemplation in progress. González’s creations of ceramic and found objects reveal visions and feelings that are not polished but ongoing processes of gyrating thoughts and churning emotions that threaten to erupt into reality and consciousness to defy the fantasy of a peaceful experience.
Aesthetically, his work balances between painting and sculpture, clay figures with blown glass, and horsehair and natural sponges. The understanding that these elements are not “found objects” or even mixed media but closer to the ideas of “material” by Joseph Beays. The figures are a devise to trigger our need to see “narrative” which is a support system for the symbols and the material. These pieces are constructed in such a manner that some pieces are literally and metaphorically in balance with a degree of fulcrum-like equation. Consequently, there is a symbiotic relationship, the sculpture becomes a metaphor for the dialogue and the dialogue is ushered in by the sculpture.
Teaching
González is a tenured professor at the California College of the Arts (formerly CCAC). He advises his students to rid themselves of the process normally associated with ceramics, get past things that are supposedly bad technique (like epoxy in cracks), solve problems creatively and remember spirit when making work.
Biography
Arthur González is an internationally exhibiting artist with over fifty one-person shows in the last forty years, including eight in Manhattan, New York. He has received many awards including the Virginia Groot Foundation twice and is an unprecedented four-time recipient of the National Endowment of the Arts Fellowship within a ten-year period.
He is also in numerous public collections including the Museum of Modern Ceramic Art in Gifu, Japan, the Smithsonian Archives of American Art, the Oakland Museum of California and the Crocker Art Museum in Sacramento.
He is a tenured Professor at the California College of the Arts (formerly CCAC). González has been an artist-in-residence in many places including University of Georgia, Athens, Louisiana State University, Baton Rouge, Penland School of Craft, North Carolina, University of Akron in Ohio, Tainan National University in Taiwan, Pilchuck Glass School in Seattle, Washington, and the Archie Bray Foundation in Helena, Montana.
Education
1981 M.F.A., University of California, Davis. (sculpture)
1979 M.A., California State University, Sacramento. (painting)
1977 B.A., California State University, Sacramento.
Awards, Fellowships, Grants, Residencies
2022 Mentor/Artist-in-Residence, Red Lodge Clay Center, Red Lodge, MT.
2019 Faculty Development Grant, California College of the Arts. Oakland, CA.
2017 Peter Voulkos Visiting Artist Fellowship, Archie Bray Foundation, Helena, MT.
2011 Special Judges Award, 9th International Ceramics Competition, Mino, Japan
2007 Artist-in-Residence, Pilchuck Glass Studio, Seattle, WA.
2006 Artist-in-Residence, Tainan National University of the Arts, Guantian District, Tainan, Taiwan
2002 Artist-in-Residence, University of Akron, Myers School of Art, Akron, OH.
2001 Artist-in-Residence Award, Warhol Foundation, Penland School of Crafts, Penland NC.
2001 Visual Arts Award, Wallace Alexander Gerbode Foundation
1997 Award (1st place), Virginia Groot Foundation
1994 Fellowship, California Arts Council, Sacramento, CA.
1994 Residency, Nat’l Foundation for Advancement in Arts, South FL. (declined)
1992 Award (2nd Place), Virginia Groot Foundation
1991 Gold Discovery Award, Art of California Magazine
Bronze Discovery Award, Art of California Magazine
1990 Individual Artist Fellowship, National Endowment of the Arts
1986 Individual Artist Fellowship, National Endowment of the Arts
1986 Artist-in-Residence, Skowhegan School of Art, Skowhegan, ME. (declined)
1985 Artist-in-Residence, Virginia Center for the Arts, Sweet Brier, VA. (declined)
1984 Individual Artist Fellowship, National Endowment of the Arts
1982 Individual Artist Fellowship, National Endowment of the Arts
1982 Artist-in-Residence, Louisiana State University, Baton Rouge, LA.
1981 Junior Artist-in-Residence, Ford Foundation, University of Georgia, Athens, GA.
Publications
Arthur González. John Natsoulas Press, 2020
Book of Fixed Stars, by D.R. Wagner, selected poems. Cover image of “Stroke”. Cold River Press, 2019.
2017 The Great California Art Movement, UC Davis Fine Art Alumni Exhibition: 1960-1990. John Natsoulas Press, 2017.
One Way to Ask, by Daniel Ari. Norfolk Press, 2015. (includes Mask).
Glaze: the Ultimate Collection of Ceramic Glazes and How They Were Made, by Brian Taylor and Kate Doody. Barron’s Publishing, 2014.
The Human Condition, The Stephen and Pamela Hootkin Collection. Chazen Museum of Art, University of Wisconsin-Madison, 2014.
500 Figures in Clay Volume 2. Lark Books, 2014.
Along the Way: MTA Arts for Transit, by Sandra Bloodworth and William Ayres. 2nd ed., Monacelli Press, 2014.
Glaze: the ultimate collection of ceramic glazes, and how they were made, by Brian Taylor and Kate Doody (GCWB). Quarto Publishing, 2013.
The Workshop Guide to Ceramics, by Duncan Hoosen and Anthony Quinn. Quarto Publishing, 2012.
The Best of 500 Ceramics: Celebrating a Decade in Clay. Lark Books, 2012.
21st Century Ceramics. Lark Books, 2012.
Craft and Art in Clay, by Jan Peterson and Susan Peterson. 5th ed., Laurence King Publishing, 2011.
Ceramics and the Human Figure, by Edith Garcia. A & C Black Publishers Ltd., 2011.
MAKERS: A History of American Studio Craft, by Janet Koplos and Bruce Metcalf. University of North Carolina Press, 2010.
Other People’s Rejection Letters, by Bill Shapiro. Random House, 2010.
Dry Glazes, by Jeremy Jernegan, A & C Black Publishers Ltd., 2009.
500 Ceramic Sculptures: Contemporary Practice, Singular Works, by Suzanne J. E. Tourtillott. Union Square & Co. and Lark Books, 2008.
Confrontational Ceramics, by Judith Schwartz. University of Pennsylvania Press, 2008.
Ceramics for Beginners: Hand Building, by Shay Amber. Union Square & Co. and Lark Books, 2008
The Question of Balance: Arthur González. John Natsoulas Press, 2007.
The Art of Rejection by Arthur González, John Natsoulas Press, 2006.
Encyclopedia of Ceramic Art and Artists, by Steven Goldate. A & C Black Publishers Ltd., 2006.
Along The Way: MTA Arts for Transit, by Sandra Bloodworth and William Ayres. Monacelli Press, 2006.
Works of Ceramic Artists from Around the World. Shanghai Fina Arts Publishers, 2006.
Contemporary Ceramics, by Susan Peterson. Watson-Guptill, 2006, p. 136.
Poetic Expressions of Mortality. Mobile Museum of Art, Mobile, Alabama, 2006.
The Figure in Clay: Contemporary Sculpting Techniques by Master Artists, by Lark Books Staff, edited by Suzanne J. E. Tourtillott. 5th ed., Lark Books, 2005.
The Eve Aesthetic: Contemporary Figurative Clay Sculpture by Artists from TB-9, by Nancy M. Servis. Davis, CA: Memorial Union Art Gallery: Pence Gallery Association, 2004.
The Nature of Craft and the Penland Experience, edited by Lark Books. Penland, 2004.
Bay Area Ceramic Sculptors: Second Generation: Arthur González, Annabeth Rosen, Nancy Selvin, Stan Welsh. The Daum Museum of Contemporary Art, 2004.
Craft and Art of Clay, by Susan Peterson, 4th ed., Pearson, 2004, p. 43.
Understanding Art, by Lois Fichner-Rathus. 4th ed., Cengage Learning, 2003, p. 21.
The Penland Book of Ceramics: Masterclasses in Ceramic Techniques, edited by Deborah Morgenthal and Suzanne J. E. Tourtillott. Lark Books, 2003.
The Pilot Hill Collection of Contemporary Art, by John Fitz Gibbon. Crocker Art Museum, 2002.
A Potter’s Handbook, by Glenn C. Nelson and Richard Burkett. 6th ed., Cengage Learning, 2002, plate 47.
Confrontational Clay: The Artist as Social Critic, by Judith S. Schwartz. Exhibits USA, 2000.
The Cadence of Stupidity: The Works of Arthur González, by Diane Chin Lui. John Natsoulas Press, 1999.
The California Art Review. Les Kratz Publisher, American References Pub., 1998.
Who’s Who in American Art, edited by Amy Furman. R.R. Bowker, 1998.
Make it in Clay: A Beginner’s Guide to Ceramics, by Charlotte Speight and John Toki. Mayfield Publishing Co., 1997.
American Ceramic Artists Today, by Guang Zheng Zhou. People's Fine Art. Publishing House, Beijing, China, 1997.
Who’s Who Among Hispanic Americans. 3rd ed., Gale Research, 1996.
Hands in Clay: An Introduction to Ceramics, by Charlotte Spreight and John Toki. 3rd ed., Mayfield Publishing Co., 1994.
Contemporary Ceramics: A Step Toward the Future, by Sang-Ho Shin. Hongik University Press, Hongik University, Ceramic Research Institute, Seoul, Korea, 1993.
Arthur González: At Heart Level, by Katherine Chapin. John Natsoulas Press, 1992.
The 28th Ceramic National: Clay, Color, Content, edited by Barbara Perry. Everson Museum of Art, 1990.
Encyclopedia of Ceramics, by Teturo Murobushi, Japan Art Publishing Co, Tokyo, Japan, 1990.
American Artists: Illustrated Survey of Leading Contemporaries, by Les Krantz. Facts On File, 1990.
American Ceramics: the Collection of Everson Museum of Art, by Barbara Perry. Rizzoli / Everson Museum, 1989.
Contemporary American Craft Art: A Collector’s Guide, by Barbara Mayer, Gibbs M. Smith, 1988.
Who’s Who in the World, 1987-1988. Marquis Who’s Who, 1988.
The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms / 1607 to the present, by Elaine Levin. Harry N. Abrams, 1988.
American Ceramics: 1876 to the Present, by Garth Clark. Abbeville Press, 1987.
The Eloquent object: The evolution of American art in craft media since 1945, Marsha Manhart, The University of Washington Press, 1987.
Neo-York: Report on a Phenomenon, edited by Phyllis Plous and Mary Looker. University of Santa Barbara Press, 1984.
Public Collections
Archie Bray Foundation, Helena, MT.
American Craft Museum, New York, NY.
American Express Co., New York, NY.
Burston Marsteller Co., New York, NY.
California State University, Sacramento, CA. (2 pieces)
Chazen Museum of Art, Madison, WI.
Colorado University Museum, Boulder, CO. (2 pieces)
Crocker Art Museum, Sacramento, CA. (2 pieces)
Daum Museum, Sedalia, MO. (2 pieces)
Everson Museum of Art, Syracuse, NY.
Godwin-Terbach Museum, Queens College,
Flushing, NY.Holter Museum, Helena, MT.
Honolulu Academy of Arts, Honolulu, HI.
Fink Museum, Minneapolis, MN.
Mexican Museum, San Francisco, CA.
Mint Museum, Charlotte, NC.
Museum of Modern Ceramic Art, Gifu (Ceramic Park Mino) Japan
Oakland Museum of California, Oakland, CA. (2 pieces)
Prudential Insurance Co., New York, NY.
Racine Art Museum, Racine, WI.
Rutgers University, New Brunswick, NJ. (2 pieces)
Smithsonian Archives of American Art, Washington DC.
The Tainan National University of the Arts, Tainan, Taiwan (2 pieces)
Tempe Museum, Tempe, AZ.
Myers School of Art, University of Akron, OH.
University of California, Davis Art Department, Davis, CA.
University of California, Davis Library, Davis, CA.
University of California, Davis Law Library, Davis, CA.
University of California Health System, Davis, CA.
University of Iowa Museum of Art, Iowa City, IA.
Yale University Art Gallery. New Haven, CT. (2 pieces)
Yingge Ceramics Museum, New Taipai City, Taiwan (2 pieces)
Public Commissions
2004 Palm Dessert Art Commission, CA. Baja Palapa with Donna Billick
1996 Teravel Police Station, San Francisco, CA.
1991 Sacramento Mental Health Facility, Sacramento, CA.
1990 Metropolitan Transit Authority, New York, NY.
Teaching Experience
1991-present Full Professor, California College of the Arts (formerly CCAC), Oakland, CA. (tenured)
2022 Instructor, Arrowmont School of Crafts, Gatlinburg TN.
2021 Instructor, Natsoulas Gallery, Davis CA.
2019, ‘16, ‘12, ‘10, ‘08, ‘06, ‘04, ‘99, ‘97 Instructor, Penland School of Craft, Penland, NC.
2018 Instructor, Sierra Nevada College, Incline Village, NV.
2017 Instructor, Archie Brey Foundation, Helena, MT.
2016 Instructor, Santa Fe Clay, Santa Fe, NM.
2015,’11, ‘09, ‘07, ‘05,’ 03 Instructor, Anderson Ranch, Snowmass, CO.
2014 Instructor, Haystack School of Crafts, Deer Isle, ME.
2013 Instructor, Heaven On Earth, Todos Santos, Mexico
2012 Instructor, Sierra Nevada College, Incline Village, NV.
Instructor, Arrowmont School of Crafts, Gatlinburg TN.
2010 Instructor, Idyllwild Art Center, Idyllwild, CA.
Instructor, Peter’s Valley Craft Center, Layton, NJ.
2006, 04, 01 Instructor, Mendocino Art Center, Mendocino, CA.
2001 Instructor, Haystack School of Crafts, Deer Isle, ME.
2000 Instructor, Santa Fe Clay, Santa Fe, NM.
1991-1989 Instructor, San Francisco Art Institute, San Francisco, CA.
1988 Instructor, University of California, Berkeley, Berkeley, CA.
1985 Instructor, University of California, Davis, Davis, CA.
Instructor, Rhode Island School of Design, Providence, RI.
1984 Instructor, The New School for Social Research, New York, NY.
1984, 1981 Instructor, Artist-in-Residence, University of Georgia, Athens, GA.
1983 Artist-in-Residence, Louisiana State University, Baton Rouge, LA.
1982 Instructor, Univeristy of Georgia Studies Abroad Program, Cortona, Italy
Lectures, Demonstrations, Exhibitions Juried
2022 Lecture, Rhode Island School of Design, Providence, RI, April 13.
Lecture/Demonstration, National Council on Education for the Ceramic Arts (NCECA), John Natsoulas Gallery, Davis, CA, March.
2022-1999 Painting Student Juried Exhibit, New York Art Academy, New York, NY. (regional juror)
2021 Live workshop, John Natsoulas Gallery, Davis, CA, August 7.
“The Secret Life of Objects”, panel discussion, Southern Illinois University Carbondale (SIUC), Carbondale, IL, March 9.
Lecture and Demo, California Conference for the Advancement of Ceramic Arts (CCACA), John Natsoulas Gallery, Davis, CA, October 22.
“Storytelling For Artists and Educators”, panel discussion, Northern Clay Center, Minneapolis, MN, March 11.
“Fertile Ground”, LH Horton Art Gallery, Delta College, Stockton, CA, March 15-19, Juried on May 25. (juror)
2020 Invited artist for critiquing students, New York Art Academy, New York Art, NY, July 22.
Lecture (Zoom), Palomar College, San Marcos, CA, September 28.
"A discussion with Lisa Clague", John Natsoulas Gallery, Davis, CA, September 18.
Lecture (Zoom), Harvard University, Cambridge, MA, November 14.
John Natsoulas Gallery, CCACA virtual demo series. May 3 Alameda, CA.
2019 UNLV Department of Art Lecture Series: Arthur Gonzalez, University of Nevada, Las Vegas, NV.
“Art 2.0 Professionals in Practice”, Molley College Art Gallery, NY.
Demonstration of Technique to K-12, National Council on Education for the Ceramic Arts (NCECA), Minneapolis, MN.
2018 NCECA, Emerging Artist Award, National Council on Education for the Ceramic Arts (NCECA) Pittsburgh. PA. (Juror)
Panel Discussion for Bay Area Clay Exhibition, Pence Gallery, Davis, CA, April 18.
Workshop, Roswell Museum & Arts Center, Roswell, NM.
Artist-in-Residence Program (RAiR), Anderson Museum of Contemporary Art (AMoCA), Roswell, NM, July 30. (Juror)
2017 NCECA Emerging Artist selection committee, National Council on Education for the Ceramic Arts (NCECA), Portland, OR. (juror)
Marin County Fair, San Rafael, CA. (Juror)
2016 Rotary Club, Sacramento, CA.
Sonoma State University, Sonoma, CA.
2015 California State University, East Bay, Hayward, CA.
De Anza College, Cupertino, CA.
California State Fair, Sacramento, CA. (Fine Arts Juror)
Marin County Fair, San Rafael, CA. (Juror)
2014 Ceramic League of Miami, Miami, FL.
University of Georgia, Athens, GA.
Crocker Art Museum, Kingsley Art Club, Sacramento, CA.
2013 University of Alaska, Fairbanks, AL.
Heritage University, Toppenish, WA.
2011 West Michigan University, Kalamazoo, MI.
New York Academy of Art, New York, NY.
NCECA Biennial, Tampa, FL. (Juror)
Fort Hays State University, Hays, KS.
2010 “Body and Soul”, Baltimore Clayworks, Baltimore, MD.
Delta College, Stockton, CA. (Juror)
University of Georgia, Athens, GA.
Art Students League, Denver, CO.
The Figure in Clay Symposium, Arrowmont School of Arts and Crafts, Gatlinburg, TN.
2009 Mudfire Clayworks & Gallery, Decatur, GA.
Saddleback College, San Clemente, CA.
University of California, Davis, CA.
2008 Richmond Art Center, Richmond, CA.
The Firehouse Collective, The Firehouse Ceramics Symposium, Oakland, CA.
Indiana University, Bloomington, IN.
Mama’s Royal Cafe, (Juror), Oakland, CA.
Sierra Nevada College, Incline Village, NV.
2007 Chabot College, Hayward, CA.
La Grange College, LaGrange, GA.
University of Georgia, Athens, GA.
Southern Illinois State University, Carbondale, IL.
Davis High School, Davis, CA.
2006 College of Marin, San Rafael, CA.
University of Southern California, Roski School of Fine Arts, Los Angeles, CA.
New Taipei City Yingge Ceramics Museum, Yingge District, New Taipei, Taiwan.
Tainan National University of the Arts, Guantian District, Tainan, Taiwan
University of Nebraska, Lincoln, NE.
University of Hawaii, Oahu, HI.
Virginia Commonwealth University, VA.
University of Tulsa, Tulsa, OK.
2005 California Conference for the Advancement of Ceramic Arts (CCACA), Davis, CA
University of Florida, Gainesville, FL.
2004 University of Kansas, Lawrence, KS
2003 San Jose State University, CA.
Trax Gallery. Berkeley, CA.
“Terra Forma”, Arts Benicia, Benicia, CA. (Juror)
University of St. Louis, St. Louis, MO.
St. Louis Community College, St. Louis, MO.
2002 Richmond Art Center, Richmond, CA. (Juror)
University of Miami, Miami, FL.
Clay Space on Puget Sound, Suquamish, WA.
University of Northern Iowa, Cedar Falls, IA
2001 Yuma Symposium 22, Yuma, AZ.
Ashville Art Museum, Ashville NC.
2000 Taking the Leap, Emeryville, CA. (A professional practices program for visual artists)
Society of Sculptors, Pittsburgh Center for the Arts, Pittsburgh, PA. (Juror)
38th Annual Regional Juried Art Show, Fairfield, CA (Juror)
Georgia College and State University, Milledgeville, GA.
Delta College, Stockton, CA.
1999 Portland Community College, Portland, OR.
Taking the Leap, Emeryville, CA. (A professional practices program for visual artists)
“Revolutions of the Wheel”, Host to film debut, Oakland Museum, Oakland, CA.
Regional Student Exhibition, National Council on Education for the Ceramic Arts (NCECA) National, New Orleans, LA (Juror)
“Transmitting the Subconscious” panel discussion, National Council on Education for the Ceramic Arts (NCECA) National, New Orleans, LA.
Winona State University, Bloomington, MN.
1998 The School of the Art Institute of Chicago, Chicago, IL.
53rd Marin County Fair, San Rafael, CA. (Juror)
Scripps College, Claremont, CA.
American Craft Museum Collector’s Circle, New York, NY.
Lecture for DeAnza College students in Studio Visit, Alameda, CA.
California State University, Hayward, CA.
1997 Boise State University, Boise, ID.
University of Texas, Austin, TX.
Southwest Texas State University, San Marcos, TX.
California State University, Chico, CA.
Northern Illinois State University, DeKalb, IL.
Middlebury College, Middlebury, VT.
1996 University of Florida, Gainesville, FL.
Graduate Fellowship Competition, The School of the Art Institute of Chicago, Chicago, IL. (Juror)
The University of Northern Iowa, Cedar Falls, IA.
1995 Cuesta College, San Luis Obispo, CA.
National Council on Education for the Ceramic Arts (NCECA), Minneapolis, MN.
Matrix Gallery, Fine Crafts at Matrix, Sacramento, CA.
1992 VPLAC Washington State University, Pullman, WA
Concordia University, Montréal, Quebec, Canada
Solo Exhibitions
2022 Thompson Giroux Gallery, Chatham, NY. "The Ego Diaries"
2020 Holter Museum of Art, Helena, MT. “The Fence in the Hole”
2017 Mason Fine Arts, Atlanta, GA. “Arthur González: New Paintings”
2016 Fresno City College, Fresno, CA. “Innards”
2013 Hunter College, Thomas Hunter Projects, New York, NY. “Stump!”
2012 Sacramento City College, Sacramento, CA. “The Art of Rejection”
2010 Mason Murer Fine Art, Atlanta, GA. “Arthur González”
John Natsoulas Gallery, Davis, CA. “Read”
Lamar Dodd School of Art Gallery, University of Georgia, Athens Art Gallery, Athens, GA. “@ Last”
2009 Harvey/Meadows Gallery, Aspen, CO, “Morning Suites”*
2007 John Natsoulas Gallery, Davis, CA. “A Question of Balance”
2006 Galerie Pierre, Taichung, Taiwan. “Arthur González, Personal Exhibition”
John Natsoulas Gallery, Davis, CA. “Sour Grapes” works on rejection slips
2004 Daum Museum, Sedalia, MO. “Bay Area Ceramic Sculptors: Second Generation”
Santa Fe Clay, Santa Fe, NM. “Arthur González”
2003 St. Louis Community College, St Louis, MO. “What Tool Must I use… The work of Arthur González”
John Natsoulas Gallery, Davis, CA. “Saging”
Noel Gallery, Charlotte, NC. “Arthur González”
2002 John Elder Gallery, New York, NY. “The Horizon is Sitting Beside You”
Myers School of Art Studio Exhibition, Akron, OH. “Arthur González”
2000 Delta College Art Gallery, Stockton, CA. “The View From The Equator: Arthur González, A Survey Exhibition, 1985-2000”
Susan Cummins Gallery, Mill Valley, CA. “The Cadence of Stupidity”
1999 Jon Elder Gallery, New York, NY. “The Cadence of Stupidity”
John Natsoulas Gallery, Davis, CA. “The Cadence of Stupidity” work inspired by the Carlo Collodi Story
Portland Community College, Portland, OR. “Arthur González”
1998 Scripps Annual Invitational, Scripps College, Claremont, CA. “Arthur González”
1997 Susan Cummins Gallery, Mill Valley, CA. “Above and Below”
University Art Gallery, California State University, Chico, CA. “One’s Own Spirit”
1996 Cuesta College Art Gallery, San Luis Obispo, CA. “Open Books, Open Minds”
1995 John Natsoulas Gallery, Davis, CA. “Summer Subjects”
Phyllis Kind Gallery, New York, NY. “Arthur González”
1994 Monique Knowlton Gallery/Kent, Kent, CT. “Arthur González”
1992 John Natsoulas Gallery, Davis, CA. “At Heart Level” (catalogue)
1991 Creative Growth Gallery, Oakland, CA. “Out of Bounds”
Koplin Gallery, Santa Monica, CA. “Hybrids: New Sculpture”
1990 Michael Himovitz Gallery, Sacramento, CA. “Drawings from Purgatory and Limbo”
Susan Cummins Gallery, Mill Valley, CA. “Arthur Gonzalez: Survey of Work 1982-1989”
California College of Arts & Crafts Downtown Gallery, Oakland, CA. “Arthur González”
1988 Natsoulas/Noveloso Gallery, Davis, CA. “Before and After Greece”
Robert Kidd Gallery, Birmingham, MI. “Arthur González”
Sharpe Gallery, New York, NY. “Messengers & Travelers”
1987 Allrich Gallery, San Francisco, CA. “Two Weeks in Hawaii”
Himovitz/ Solomon Gallery, Sacramento, CA. “Drawings and Monotypes”
1986 The Gallery, University of Vermont, Burlington, VT. “Ceramic Sculpture”
Himovitz/Solomon Gallery, Sacramento, CA. “Highway Pi”
Sharpe Gallery, New York, NY. “Arthur González”
1985 Sharpe Gallery, New York, NY. “Arthur González”
1984 University Art Gallery, University of Georgia, Athens, GA. “Arthur González”
Himovitz/Solomon Gallery, Sacramento, CA. “Return”
Sharpe Gallery, New York, NY. “Arthur González”
1983 Gallery II, Baton Rouge, LA. “Modern Art For The Serious Home”
1982 Lamar Dodd Art Gallery, University of Georgia, Athens, GA. “Junior Artist-in-Residence”
Cortona Chapel, Cortona, Italy, “Arthur González”
1981 Richard Nelson Gallery, University of California, Davis, CA. “A Man & His City”
1980 The Candy Store Gallery, Folsom, CA. “The Rabbit Hunt”
Two-Person Shows
2020 Gearbox Gallery, Oakland, CA. 2-person show with Harry Clewans, “Omens and Observations: Harry Clewans and Arthur Gonzalez”
Group Exhibitions
2022 TAL Gallery, Hawthorne, CA. “The Cup Show”
The Carnegie Art Center, Turlock CA. “Pervasive Innovation: 60 Years of Ceramic Sculpture in Northern California”
John Natsoulas Gallery, Davis, CA. ”Family Tree Show”
CRC Art Gallery, Cosumnes River College, Elk Grove, CA. “Real ID” (held in coordination with the National Council on Education for the Ceramic Arts (NCECA) 2022 conference) (curator by Linda S. Fitz Gibbon)
2021 John Natsoulas Gallery, Davis, CA. “30 Ceramic Sculptors”
artMRKT San Francisco, Fort Mason, San Francisco, CA. John Natsoulas Gallery
American Museum of Ceramic Art (AMOCA), Pomona, CA. “Mind and Matter”
John Natsoulas Gallery, Davis, CA. “Pop Meets Funk”
Northern Clay Center, Minneapolis, MN., “The Secret Life of Objects” (catalog)
2020 Archival Gallery, Sacramento, CA. “Students of Oliver Jackson”
Petaluma Art Center, Petaluma, CA. “Clay etc.”
Epperson Gallery, Crockett, CA. “Into the Woods”
The Warehouse, Milwaukee, WI. “I am a Story: Self Portraits at the Warehouse”
Eutectic Gallery, Portland, OR. “Smile Pretty”
The Plaxall Gallery, LIC, Queens, NY, Feb 20- march15, “Claytopia”
Oliver Art Center, Oakland, CA. “Resisting Incarceration Culture”
John Natsoulas Gallery, Davis, CA. “12th annual The Art of Painting”
John Natsoulas Gallery, Davis, CA. "BARK!"
2019 Seattle Art Fair, Century Link Field Event Center. John Natsoulas Gallery.
CRC Gallery, Cosumnes River College, Elk Grove, CA. “Empathy”
The Clay Studio, Philadelphia, PA. 1/28 “Small Favors”
Tokyo Metropolitan Museum of Art, Tokyo, Japan. “Crosscurrent: Alone”
2018 Clay Penn, Pittsburgh, PA. March.“Go Figure”
Bernice Steinbaum Gallery, Miami, FL. “They’re Fired”
Library Art Gallery, California State University, Sacramento, CA. “Concurrent/Conventions: A Spectrum of Contemporary Ceramics”
Pence Gallery, Davis, CA. “Bay Area Clay: A Legacy of Social Consciousness” (curated by Lisa Reinertson) (catalogue)
2017 The Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR and Arts Benicia Gallery, Benicia, CA. National Council on Education for the Ceramic Arts (NCECA) Exhibition, “Bay Area Clay: A Legacy of Social Consciousness” (curated by Lisa Reinertson) (catalogue)
California College of the Arts Library, Oakland, CA. “Ceramics Loves Books”
2016 Meyer Gallery, Park City, Utah, “Epics, Myths and Fables”
Sculptural Objects Functional Art (SOFA) Chicago, Chicago Navy Pier, Chicago, IL.
John Natsoulas Gallery, Davis, CA. “The Great California Art Movement: UC Davis Fine Art Alumni Exhibition: 1960’s-1990’s” (catalogue)
Andrews Gallery, College of William & Mary, Williamsburg, VA. “Mélange a Clay”
Santa Fe Clay, Santa Fe, NM. “Summer Preview Exhibition”
The Studios Inc. Building, Kansas City, MS. “Ghosts and Stooges”
Kansas City Convention Center, Kansas City, MS. “Anderson Ranch Legacy: Mentoring Artistic Excellence”
The Carter Art Center Gallery, Metropolitan Community College (MCC)-Penn Valley, Kansas City, MS. (held in coordination with the National Council on Education for the Ceramic Arts (NCECA) 2016 conference) “Strictly Figurative Invitational”
Santa Fe Clay, Santa Fe, NM. “The Figure in Clay”
The Culture Lab at Mid-America Arts Alliance, Kansas City, MS and Oklahoma State University Museum of Art, Stillwater, OK. “InCiteful Clay” (curated by Judith S. Schwartz)
2015 Topeka & Shawnee County Public Library, Topeka, KS and CSU Dominguez Hills, Carson, CA “InCiteful Clay” (curated by Judith S. Schwartz)
Cinema Gallery, Urbana, IL. “Small Ones”
Armory Art Center, West Palm Beach, FL. “Ceramic Mind Field”
Gallery NAGA, Boston, MA. “Meredyth Knows Ceramics"
Sam and Alfreda Maloof Foundation for Arts and Crafts, Alta Loma, CA, “California Handmade”
Caldwell Arts Council, Lenoir, NC. “Figuratively Speaking”
John Natsoulas Gallery, Davis, CA. “30 Ceramic Sculptors 2015”
2014 Foosaner Art Museum, Melborne. FL, Arkansas Arts Center, Little Rock, AR and Woodbury Art Museum, Orem, UT. “InCiteful Clay” (curated by Judith S. Schwartz)
Carson Gallery, Art Student League, Denver, CO. “A Revisiting: Ten Years of the Visiting Artist Series at ASLD”
Chazen Museum of Art, University of Wisconsin, Madison, WI. “The Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramic Sculpture” (catalogue)
Trax Gallery, Berkeley, CA. “Local Clay Heavies”
Benicia Museum, Benicia, CA. “Transmigrational Ceramics”
Arts Benicia, Benicia, CA. “Unbreakable: Selections from CCA Ceramics”
Art Rocks Athens Foundation, Athens, GA. “Summer Exhibition 1975-85”
Palomar College, Boehm Gallery, Ceramics Biennial, San Marcos, CA. “Dark Matter”
Tory Folliard Gallery, Milwaukee, WI. (held in coordination with the National Council on Education for the Ceramic Arts (NCECA) 2014 conference) “The Figure in Clay”
2013 SMAart Gallery, San Francisco, CA. “Figuratively Speaking”
Fort Wayne Museum, Fort Wayne, IN. “Clay Prints”
Oliver Art Center, California College of the Arts, Oakland, CA. “Working Title”
Pelham Art Center, Pelham, NY. “Convergency”
Kondos Art Gallery, Sacramento City College, CA. “Mask”
Exhibits USA, Kansas City, MO. “InCiteful Clay” (curated by Judith S. Schwartz)
2011 The Colorado University Art Museum, Boulder, CO. “The Anxiety of Influence”
Sonoma Community Center, Sonoma, CA. “Doceo Argilla"
California Blue Line Gallery, Roseville, CA. “TB - 9”
Arvada Center for the Arts and Humanities, Arvada, CO.
Lacoste Gallery, Concord, MA. “The Figure has Soul”
9th International Ceramics Competition, Mino, Japan. (Special Juror’s Award)
Sonoma Community Center, “Doceo Argilla”, Sonoma, CA. (Special Juror’s Award)
Patina Gallery, Santa Fe, NM. “Benefit Exhibition for Penland School of Crafts”
2010 Arrowmont Main Gallery, Gatlinburg, TN. “Figurative Association: The Human Form in Clay”
The Dairy Barn Art Center, Athens, OH. “Transcending the Figure”
2009 CCA Gallery, California College of the Arts, Oakland, CA. “Book/Text”
San Jose Institute of Contemporary Art, San Jose, CA. “It’s Not Me, It’s You”
Victoria Boyce Gallery, Scottsdale, AZ. “Human Narratives”
John Natsoulas Gallery, Davis, CA. “Thirty Ceramic Sculptors”
Northern Clay Center, Minneapolis, MN. “Contemporary Monsters”
2008 Standard Ceramic Supply Company. Carnegie, PA. “Muchachos”
SOFA Chicago. John Natsoulas Gallery.
Blue Line Gallery, Roseville, CA. “Eccentric Imagery”
LoBot Gallery, East Oakland, CA. “Resurrection: The Dead Space Show”
Westchester Arts Council, White Plains, NY. “Confrontational Ceramics” (curated by Judith Schwartz)
Sacramento Public Library, Sacramento, CA. “TB-9 Revisited”
John Natsoulas Gallery, Davis, CA. ”Thirty Ceramics Sculptors”
Museo Internazionale di Arti Applicate Oggi, Torino, Italy. “The Grand Ceramics Theatre”
Lamar Dodd Art Center, LaGrange, GA. “LaGrange National”
Aspen Art Museum, Aspen CO. “ARAC@AAM: Anderson Ranch at the Aspen Art Museum”
2007 Santa Fe Clay, Sante Fe, NM. “Seven Deadly Sins”
John Natsoulas Gallery, SOFA Art Fair, Chicago Navy Pier, Chicago, IL.
University of California Santa Cruz, Santa Cruz, CA. “Nor Cal Clay”
University of Akron Art Gallery, Akron, OH, “All the Difference: Works in Clay”
Turman Larson Contemporary, Helena, MT, “Northwest Figurative Ceramic Sculpture”
John Natsoulas Gallery, Davis, CA. CCACA Conference. “30 Ceramic Sculptors”
Richmond Art Center, Richmond, CA. “Dirty Dozen”
John Natsoulas Gallery, Louisville Convention Center, Louisville, KY. SOFA /NCECA
Danny Simmons Corridor Gallery, Brooklyn, NY. “3Dc: Discover, Define and Discuss
Contemporary Craft
2006 The UBS Art Gallery. New York, NY. “Along the Way: MTA Arts for Transit, Celebrating 20 Years of Public Art”
Oregon College of Art & Craft, Hoffman Gallery in the Centrum Building, Portland, OR. “Cruder”
The Parkland Art Gallery, Champaign, IL. “Biennial Ceramics Invitational 2006”
Santa Fe Clay, Santa Fe, NM “Tell Me A Story”
Oliver Art Center, Oakland CA. “On Making”
Montgomery Museum of Fine Arts Montgomery, AL. “Poetic Expressions of Mortality”
Mobile Museum of Art, Mobile, AL. “Poetic Expressions of Mortality” Porter Price Collection
Xen Gallery, Saint Louis, MO. “Likeness / The Human Form in Clay”
2005 Santa Fe Clay, NM. “Cups, Cups, Cups”
Cantor Arts Center, Stanford University, CA. “Fired At Davis: Ross Turk Collection”
Ice Box Project Space, Philadelphia, PA. “Operation Rapid American Withdrawal 1970-2005”
The Art Foundry Gallery. Sacramento, CA. “From Tiles to Totems”
Santa Fe Clay, NM “American Masters 2000-2005”
Lacoste Gallery, Concord, MA. “Vanitas: Transient Treasures”
Creative Alliance, Baltimore MD. “Pygmalion’s Gaze Reimagined: The Figure in Contemporary Ceramics”
2004 The Union Gallery, University of California Davis, Davis, CA. “The Eve Aesthetic: Contemporary Figurative Clay Sculpture by Artists from TB-9” (catalogue)
Santa Fe Clay, Santa Fe, NM. “Election 2004”
Mason Muller Fine Arts, Atlanta, GA. “The Fall Show”
Fuller Museum of Art, Lincoln, MA. “The Perfect Collection: A Shared Vision for Contemporary Craft”
Mint Museum, Charlotte, NC. “The Nature of Craft and The Penland Experience” (catalogue)
2003 Crocker Art Museum, Sacramento, CA. “The Plot Hill Collection of Contemporary Art” (catalogue)
Santa Fe Clay Gallery, Santa Fe, NM “Hundreds of Cups”
Museum of Arts & Sciences, Macon, GA. “Trans-mission”
2002 University of Northern Iowa, UNI Gallery of Art, Cedar Falls, IA. “Figured Ceramics”
University of Southern Maine, Art Gallery, Gorham, ME. “Pushing Clay”
Penland School of Craft, Penland, NC. “Relevance of Making”
Chicago Navy Pier, Chicago. IL. “Virginia Groot Award Recipients”
Woodbury Art Museum at Utah Valley State College, Orem, UT. “The 17th Annual 30 Ceramic Sculptors”
Craft Alliance, Saint Louis, MO. “The Body in Clay” (curated by Joe Bova)
Dirt Gallery, Kansas City, MO. “Crude”
Byron Cohen Gallery, Kansas City, MO. “Fired Up”
2001 Yoju Livingware Gallery, Kyunggido, Korea. “World Ceramic Exposition 2001 Korea”
Southwest Texas State University, San Marcos, TX. “NCECA WOCEK Exhibition”
Santa Fe Clay, Santa Fe, NM. “Birds, Beasts and Little Fishes”
Encina Art Gallery, Sacramento, CA. “Private Eye”
DeCordova Museum and Sculpture Park, Lincoln, MA. “Terrors and Wonders: Monsters in Contemporary Art”
Benefit Auction for the Mendocino Art Center, Davis, CA. “The Gegnome Project”
John Natsoulas Gallery, Davis, CA. “The Holiday Group Show”
2000 Susan Cummins Gallery, Mill Valley, CA. “Perching of the Soul”
Bedford Gallery, Walnut Creek, CA. “From the Fire: Figures in Ceramic”
The Mint Museum of Craft and Design, Charlotte, NC. “The Chasanoff Collection”
Flint Institute of Arts, Flint, MI., Springfield Museum of Art., Springfield, OH., The Middlebury College Museum of Art, Middlebury, VT., The Arkansas Art Center, Little Rock, AR., Philharmonic Center of the Arts, Naples, FL., University of Central Florida, Orlando, FL. Traveling exhibition, “Confrontational Clay, the artist as social critic” (catalogue)
The Arvada Center for the Arts and Humanities, Arvada, CO. “A Glimpse of the Invisible”
The NCECA 2000 Invitational Exhibition (catalog)
Encina Art Gallery, Encina Art Gallery, Sacramento, CA. “Heart of the Future: part 3”
Nicholas Davies Gallery, New York, NY. “Ruling Passions”
1999 b. sakata garo, Sacramento, CA. “Group Show”
Riley Hawk Gallery, Columbus, OH. “Looking in the Mirror: Aspects of Figurative Ceramics”
1998 Oliver Art Center, Oakland, CA. “Drop/Add”
Richmond Art Center, Richmond, CA. “More Than Clay” the Toki Collection of Ceramics
John Natsoulas Gallery, Davis, CA. “All Creatures Great & Small” (also 1986-1997)
John Natsoulas Gallery, Davis, CA. “Thirty Ceramic Sculptors” (also 1986-1997)
SMUD building Lobby Gallery, Sacramento, CA. “Four on the Wall”
The Lef Foundation, St. Helena, CA. ”Sculptural Perspectives for the New Millennium”
Richmond Art Center, Richmond, CA. “More Than Clay: The Toki Collection of Ceramics”
Pence Gallery, Davis, CA. “More Than Clay: The Toki Collection of Ceramics”
1997 Crocker Art Museum, Sacramento, CA. “California State University Sacramento 50th Anniversary Exhibition”
American River College Art Gallery, Sacramento, CA. “Many People/ Many Media”
Oliver Art Center, Oakland, CA. “Ceramic Still Life: The Common Object” (catalogue)
Barrick Museum, University of Nevada, Las Vegas, NV. “NCECA Clay National 1997”
Bally’s Las Vegas, NV. NCECCA, “Salt & Pepper”
Encina Art Gallery, Sacramento, CA. “Class Reunion: CSUS/50”
Udinotti Gallery, Scottsdale, AZ.
SOFA Art Fair, Miami, FL, Susan Cummins Gallery
Nevada Institute of Contemporary Art, Las Vegas, NV. “New Movement in Contemporary Life-size Figurative Ceramic Sculpture”
Art Department Gallery, Santa Clara University, CA. “Ceramics Invitational”
Barton County Community College Shafer Art Gallery, Great Bend, KS. “From Plastic Form to Printer’s Plate”
1996 McDonough Museum of Art Youngstown State University, Youngstown, OH; Irving Arts Center, Irving, TX; Western Washington University, Western Gallery, Bellingham, WA; Canton Museum of Art, Canton, OH. “From Plastic Form to Printers Plate 16 Contemporary Sculptor/Printmakers” (curated by Brian J. Bach)
Udinotti Gallery, Scottsdale, Arizona
K & E Gallery, New York, NY. “Alternation”
John Natsoulas Gallery, Davis, CA. “The Robert Arneson Tribute Exhibition”
The Sun Gallery, Hayward, CA. “Ceramic Figurative Art of Northern California”
Fort Mason Center, San Francisco, CA. “Exposition of American Art” (also 1992-1995)
Santa Monica Civic Auditorium, Los Angeles, CA. ”L.A. Modernism Exposition”
Maple Hill Gallery, West Stockbridge, MA. “The second annual “Berkshire Clay National”
Phantom Galleries, Sacramento, CA. “White Gallery Reunion Show”
University Art Gallery, Sonoma State University, Rohnert Park, CA. “CLAY Recent Ceramic Sculpture”
The Colorado College, Coburn Gallery, Colorado Springs, CO. “American Figurative Clay”
1995 The Lamont Gallery, Phillips Exeter Academy, Exeter, NH, “From Plastic Form to Printers Plate 16 Contemporary Sculptor/Printmakers”
Navy Pier, Chicago, IL. SOFA Exposition.
IV Mostra Mercato, Faenza, Italy “La Ceramica Del ‘900”
Encina Art Gallery, Sacramento, CA. “Chicano/Latino Art”
John Natsoulas Gallery, Davis, CA. “The Figure”
New Jersey Center for the Arts, Summit, NJ. “Myth and Reality”
1994 Los Angeles International Art Fair, “Art L.A. Exposition, (also 1990-1993)
Kingsborough Community College, Brooklyn, NY. “Tribute to Robert Arneson: Changing the Face of American Ceramics”
Contemporary Craft Museum, San Francisco, CA. “Tastes and Trends”
Honolulu Academy of Arts, Honolulu, HI. “2nd Annual Pacific Rim Sculpture Conference Exhibit”
The Center of Northern Thai Handcrafts, Chaiing Mai, Thailand. “Tell Me A Story”
Calcutta , India “Tell Me A Story”
Mills Building, San Francisco, CA. (Through the Contemporary Craft Museum) “Local Media; Within and beyond Traditions.”
Clark Gallery, Lincoln, MA. “CLAY Figure & Function”
Monique Knowlton Gallery, Kent, CT. “The Domestic Landscape”
Newcomb Gallery, Tulane University, New Orleans, LA. “Presence & Scale”
New Delhi, India “The Triennial, Tell Me A Story”, also in Calcutta and Bombay
1993 Susan Cummins Gallery, Mill Valley, CA. “Small Scale Sculpture”
Oliver Art Center, California College of Arts & Crafts, Oakland, CA. “Nine decades of California Craft”
Olone College, Fremont, CA. “Go Figure”
Honolulu Academy of Arts, The Academy Art Center at Linekona, Honolulu, HI. “First Annual Pacific Rim Ceramic Sculpture”
William Traver Gallery, Seattle, WA. “Clay 19934: A National Survey”
Artists Contemporary Gallery, Sacramento, CA. “The Next Generation”
Phyllis Kind Gallery, New York, NY. “M’aidez/Mayday”
California Crafts Museum, San Francisco, CA. “West Coast Clay”
I.D.E.A. Gallery, Sacramento, CA. “Bout Bicycles”
The Taft Museum, Cincinnati, OH. “Tell Me A Story”
Walter A. Buehler Alumni and Visitor Center. UC, Davis, CA. “Art Studio Alumni Exhibition”
The Sterilization Plant, “San Pablo, CA. “New Year’s Group Exhibition”
University Art Gallery, California State Univ., Hayward, CA. “Large Scale Figurative Ceramics”
1992 Oliver Art Center, California College of Arts & Crafts, Oakland, CA. “From Plastic Form to Printers Plate 16 Contemporary Sculptor/Printmakers”
San Diego State University, San Diego. CA. “Social Figuration”
Robert Kidd Gallery, Birmingham, MI. “Sculpture/Glass, Sculpture/Clay”
The Society for Contemporary Crafts, Pittsburg, PA. “Figurative Clay” (catalog)
California College of Arts & Crafts Gallery, Oakland, CA. “New Faculty”
Clark Gallery, Lincoln, MA. “The Sculptural Object”
John Natsoulas Gallery, Davis, CA. “Holy Night”
1991 The American Craft Museum, New York, NY. “The Collector’s Eye” a benefit auction (catalog)
Crocker Art Museum, Sacramento, CA, “Crocker/Kingsley Centennial Exhibition. (catalog)
Allrich Gallery, San Francisco, CA. “Twenty-Five Years Celebration”
NCECA Conference, Tempe, AZ. “Minor Art by Major Artists”
Grand Canyon University, Phoenix, AZ. “The Human Forms as Mythical Vessel”
The University of Hawaii at Manoa Art Gallery, Honolulu, HI. “The Fourth International Shoebox Sculpture Exhibition” (catalog)
Muckenthaler Cultural Center, Fullerton, CA. “Cultural Perspectives of the Nineties” (catalog”)
The Convention Center, Los Angeles, CA. “Art of California Magazine Discovery Award Exhibit”
1990 Allrich Gallery, San Francisco, CA. “The Figure”, an exhibition of collected work.
Koplin Gallery, The Convention Center, Los Angeles, CA, The L.A. Art Expo. “The Fortress”,
Savona, Italy. “National Ceramic Bienalle, California Sculptors”
The National Museum of Ceramic Art, Baltimore, MD. “American Ceramic Sculpture”
Susan Cummins Gallery, Chicago Navy Pier, Chicago, IL. ”Chicago International Exposition”
1989 Dinnerware, Tucson, AZ. “The Human Form as Mythical essel, Figures in clay”
Everson Museum of Art, Syracuse, NY. “The 28th Ceramic National” (catalogue)
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA. “Fool’s Fantasy”
John Michael Kohler Arts Center, Sheboygan, WI. ”Surrealist Ceramics”
Allrich Gallery, San Francisco, CA. “Group Show”
Main Art Gallery, Visual Arts Center, California State University Fullerton, CA. “Contemporary Ceramics: The Artists of TB 9”
Lamar Dodd Art Center, La Grange, GA. “La Grange National XIV”
Palo Alto Cultural Center, Palo Alto, CA. “Ceramic Traditions: The Figure”
Garth Clark Gallery, New York, NY and Los Angeles, CA. “The Portrait Pot”
Metropolitan Life Gallery, New York, NY. “Ancient Explorations-5 Contemporary Sculptors”
Natsoulas/ Noveloso Gallery, Davis, CA. “Artists for Amnesty”
Art Gallery of Western Australia, Perth, Australia. “First Perth International Crafts Triennial”
Natsoulas/ Noveloso Gallery, Davis, CA. “Drawing for Funk’s Sake!”
1988 Allrich Gallery, San Francisco, CA. “Group Show”
Euphrat Gallery, De Anza College, Cupertino, CA. “Clay etc, Works On The Wall/ Off The Wall”
Artists Contemporary Gallery, Sacramento, CA. “Artists in Crisis Benefit Exhibition”
Greenville County Museum of Art, Greenville, SC. “Imprimatur”
1987 Philbrook Art Center, Tulsa, OK. “The Eloquent Object” (catalogue)
Works Gallery, Philadelphia, PA. “Invitational Exhibition: Ceramics 1987”
J.B. Speed Art Museum, Louisville, KY. “What’s New: American Ceramics Since 1900”
San Francisco Arts Commission Gallery, SAn Francisco, CA. “Figurative Ceramic Sculpture: Mother Earth”
Sacred Heart Schools, Menlo Park, CA. “Los Animales del Sol”
1986 Saks Gallery, Chicago, IL. “interior Images”
Japan/ American Exchange Exhibition, City Gallery, Kobe, Japan; Jay Gallery, New York, NY. “Artbridge”
Sharpe Gallery, New York, NY. “Group Show”
Haggerty Museum of Art, Marquette University, Milwaukee, WI. “Romanticism and Cynicism on Contemporary Art”
Robert Kidd Gallery, Birmingham, MI. “Major Concepts: Clay”
1985 Hal Bromm, New York, NY. “New Sculpture”
The Rotunda Gallery, Brooklyn, NY. “Earth Transformed by Fire: Ceramic Sculpture”
Palo Alto Cultural Center, Palo Alto, CA. “Imagination”
New Paltz Gallery, SUNY New Paltz, NY. “In The Eye of the Beholder: A Portrait of Our Time”
Newport Harbor Art Museum, Newport Beach, CA. “Contemporary American Ceramics:20 Artists”
Allen Frumkin Gallery, New York, NY. “Outline/ Cutout/ Silhouette”
Palo Alto Cultural Center, Palo Alto, CA. “Satirical Art Since 1970”
Memorial Union Art Gallery, Davis, CA. “Multiple Viewpoints; Seven Contemporary American Sculptors”
Puck Building, New York, NY. “I.C.I. Tenth Anniversary Exhibition”
Himovitz/Solomon Gallery, Sacramento, CA. “Baker’s Dozen”
University Museum, Univ. of New Mexico, Albuquerque, NM. “Recent Ceramic Sculpture”
1984 Artist’s Space, New York, NY. “New Galleries From the Lower East Side”
Clark Gallery, Lincoln, MA. “Daniel Jacobs Collection, Imagined Icons”
DeCordova Museum, Lincoln, MA. “A Passionate Vision: The Daniel Jacobs Collection”
P.S. 1, Long Island City, NY. “The New Portrait”
Allen Frumkin Gallery, New York, NY., “Notes From the Underground”
Santa Barbara Gallery, New York, NY; University of California Santa Barbara, Santa Barbara, CA. “Neo-York: report on a phenomenon” (catalog)
1983 Sharpe Gallery, New York, NY. “Self Image”
Sharpe Gallery, New York, NY. “Sex!”
1982 Hecsher Museum, Long Island, NY. “Selections from the Daniel Jacobs Collection”
Kudos, you read the entire CV!
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